Update Jan 7th, 2025
● Life with Photographs: 75 Years of the Eastman Museum
Oct 5 2024 –Aug 31, 2025
George Eastman Museum
https://www.eastman.org/75-life-photographs
Tree Trunk 1, 1971 60"x84" Photo Emulsion, Acrylic on Canvas
● Shifting Landscapes
Nov 1 2024 –Jan 2026
Whitney Museum of American Art
https://whitney.org/exhibitions/shifting-landscapes
Shifting Landscapes explores how evolving political, ecological, and social issues motivate artists’ representations of the world around them. While the art historical genre of landscape has long been associated with picturesque vistas and documentary accounts of place, the artworks gathered in this exhibition suggest a more expansive interpretation. The 120 works by more than eighty artists—including Firelei Báez, Jean-Michel Basquiat, Jane Dickson, Gordon Matta-Clark, Amalia Mesa-Bains, and Purvis Young—depict the effects of industrialization on the environment, grapple with the impact of geopolitical borders, and give shape to imagined spaces as a way of destabilizing the concept of a “natural” world. Drawn from the Whitney’s collection, this exhibition features works from the 1960s to the present, most of which are on view at the Museum for the first time. The exhibition is organized in thematic sections that reflect the many meanings embedded in the idea of landscape. Together, these works bring concepts of land and place into focus, foregrounding how we shape and are shaped by the spaces around us.
● MOMAT Collection (2024.9.3 - 12.22)
Sep 3 –Dec 22, 2024
The National Museum of Modern Art, Tokyo
https://www.momat.go.jp/en/exhibitions/r6-2
Room 11-12 2F (Secound floor) 1970s-2010s
From the End of the Showa Period to the Present
In 2020, Sol LeWitt’s Wall Drawing #769: A 36-inch (90cm) grid covering the black wall. All two-part combinations using arcs from corners and sides, and straight and not straight lines, systematically. (1994) was installed in Room to Consider the Building in the collection gallery on the third floor.
This term, Room 11 features artists who were LeWitt’s contemporaries and also active in New York, with a focus on the inherent features of lines and grids. In the 1960s and 70s, the art scene was dominated by Conceptual Art and Minimalism, and lines and grids were widely used. Meanwhile, turning our eyes to the city, the grid is a defining feature of New York due to the urban plan known as the Manhattan Grid. Photographs and films shot here reveal correspondences to the actual visage of the city, including the dissonance and darkness that has been a side product of its development.
Yellow Mum, 1969; San Francisco Museum of Modern Art, purchase, by exchange, through gifts of Peggy Guggenheim and Mr. and Mrs. Louis Honig; © Kunié Sugiura;
photo: Tenari Tuatagaloa
● Kunié Sugiura: Photopainting
Apr 26 – Sep 14th 2025
SFMoMA
Press
SAN FRANCISCO, CA (December 3, 2024) – For more than 60 years, Kunié Sugiura has explored the intersections between photography and painting with an aesthetic sensibility that reflects her bicultural identity as a Japanese artist who has lived in the U.S. since the 1960s. Creating work with and without a camera—and in and out of the darkroom—Sugiura has combined photography with painting and other mediums to produce unique, hybrid works that defy easy categorization. The San Francisco Museum of Modern Art (SFMOMA) presents Kunié Sugiura: Photopainting, the artist’s first survey exhibition in the U.S., on view from April 26 to September 14, 2025.